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DLE, Inc.

DLE Inc. operates in the entertainment business in Japan, with activities spanning animation, live action, music, mobile app and game development, event planning and management, and voice recording. It also provides production management, concept design, and marketing solutions, and is involved in the movie and television businesses as well as the operation of in-house studios. Formerly known as Pasania, Ltd., the company changed its name to DLE Inc. in October 2003. Founded in 2001 and based in Tokyo, Japan, DLE Inc. operates as a subsidiary of Asahi Broadcasting Group Holdings Corporation.

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Artificial Intelligence

DLE CEO Ono Says AI Anime Will Create New Markets

DLE President and CEO Ryo Ono expressed the view that AI anime will not take over existing markets but will instead create entirely new markets that did not exist before. Ono cited the flash animation market that his company once pioneered as an example, explaining that its low-cost, quick-turnaround production style did not replace TV anime but instead formed new markets such as advertising expressions and corporate projects. He said AI could similarly meet demand that the traditional three-to-four-year production framework cannot handle, such as rapidly turning trending social media content into video or enabling timely corporate advertising campaigns. Overseas, platformers like Netflix and Amazon see AI not merely as an efficiency tool but as a technology that supports mass production of short-form content and multilingual expansion, though challenges such as character consistency remain for feature-length anime production at present. Ono suggested that an era of banning bad AI rather than banning AI outright will eventually arrive, stressing that creators will need advanced directorial skills to evaluate and curate AI output, and that the importance of talent development remains unchanged. He indicated that the spread of AI anime hinges more on generational change than on technological progress, and that it will become more mainstream as younger generations feel less resistance to it.
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3686.JP

DLE CEO Ono expresses negative view on AI anime, advocates boosting brand value of hand-drawn works

DLE President and CEO Ryo Ono has expressed a negative view on introducing AI into anime production at this stage. He noted that while high-quality anime generation AI from Chinese companies has emerged and reached a level where it can reproduce character expressions from specific works, challenges for adoption in the Japanese market include resistance to storing IP data on overseas servers and high implementation costs. He argued that precisely because of the AI era, the value of hand-drawn work should be elevated as a brand, and that the value of individual creators and works that can only be born in Japan should be differentiating factors. He also stated that the strength of Japanese anime lies in the entire ecosystem from original content supply to overseas sales, and that applying AI to business aspects is more important than automating the production process. He suggested that Chinese companies are adopting AI not for cost reduction but with the idea of industry development, aiming to replicate the Japanese-style production system.
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3686.JP

DLE launches AI studio to explore new visual expression, separate from its Flash animation unit

DLE has launched an AI studio, embarking on the development of new visual expression through AI rather than replacing existing animation production processes. CEO Ryo Ono explains that the small-team, short-turnaround Flash animation style the company has cultivated is highly compatible with generative AI, and that the improvement in image generation AI accuracy from around 2025 prompted the decision to establish a full-fledged AI studio. Currently, the Flash animation studio and the AI studio operate as separate organizations, with the AI studio bringing together creators from live-action backgrounds and focusing on talent development that emphasizes direction and storytelling. On the other hand, AI is seen as a technology that amplifies human creativity rather than generating ideas on its own, and the company takes a cautious view on AI animation production in terms of the value of hand-drawn work and social acceptance.
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